Civ 6 world builder 2019
The clearest example of this is seen in the amendments made to citizenship laws through The Citizenship Amendment Act and the National Register of Citizens, both of which have, by design, weaponised the state bureaucratic apparatus against Muslims. SR: Citizenship in India is being codified and structured through the revocation of the fundamental rights of minorities, turning citizens into ghosts who wander in this state of collapsing time. What are the legal and political developments and what effects do they have on the lives of people In my project “Citizen Strange”, the non-human becomes a fellow conspirator in acts of world-building and myth-making.ĬH: You refer to the idea of “citizenship”, which is – in its definition as the right to have rights, such as voting rights, equality, freedom of speech, non-discrimination – currently under threat in India. The non-human can be understood as a body of mutating processes that inform, expand, and unravel the boundaries of the human, to produce strange morphologies on a bacterial, technological, and planetary scale. SR: I am interested in examining the entanglements of human-machine intelligence, through the lens of the non-human. These programs act as “living musical instruments” that are capable of reacting to external audio feedback and produce procedurally generated soundscapes.ĬH: How do you explore, understand, and articulate the human-machine relationship in this context? Are there any theoretical/philosophical ideas you are inspired by?
#CIV 6 WORLD BUILDER 2019 SOFTWARE#
This conversation begins with musical instruments that I create using found objects from the real world, and interactive AI programs that I create using the video game design software Unity.
The central objective of these world-building rituals is to imagine possible worlds where human and non-human systems converse across the boundaries between the real, the imagined, the physical, and the virtual. These scenarios take shape as absurd rituals of world-building that are enacted collectively by spectral creatures, shamanic beings, and quasi-sentient AI programs. I am interested in interrogating this mythological narrative through scenarios populated by a multitude of fictions that cohabit while contradicting each other. The state propagates these mythic narratives that confirm its authoritarianism, conjuring a mythological past as historical truth that lends veracity to its actions in the present.
Even as coronavirus infections ravage the country, our prime minister himself leads massive processions delivering silver bricks to the contentious site of Ayodhya to inaugurate the construction of a temple to Ram, set to be built on the demolished site of the Babri Mosque. The State promises the resurrection of absentee Hindu temples in place of mosques. For example, the rechristening of the bronze “Dancer of Mohenjo-Daro” as the goddess Parvati. It spreads false archaeological propaganda archaeological objects that precede even the writing of the Vedas are wrangled into the Hindu pantheon. The State orchestrates this through the abduction of myth itself. We march headlong into a majoritarian “Hindu Rashtra”: A Hindu Nation that is based on a half-baked idea of Indo-Aryan civilisational purity. All semblances to democracy and its institutions have been practically obliterated. Sahej Rahal: In India, the steady rise of right-wing nationalism is foregrounded by a return of the mythological past within the present, to create a state of collapsing time. Could you explain the context of myths and mythology in your work and how your artistic intention will come to life aesthetically? Interview by Clara HerrmannĬlara Herrmann: As the first fellow in the programme “Human-Machine”, you are proposing a remarkable multi-layered project titled “Citizen Strange”, combining AI-programs, national myths or mechanisms of myth-building, and political issues. A talk with the Indian visual artist Sahej Rahal, the first recipient of the “Human-Machine” Fellowship, created by the YOUNG ACADEMY in partnership with the VISIT artist-in-residence programme. By discussing concepts, playing out scenarios, and speculating on futures, the arts can generate a specific aesthetic knowledge in this area. In the face of digitalisation, the topic has taken on new meaning worldwide with artificial intelligence, its possibilities and dark sides. The complex relationship between human and machine has been the subject of art and artistic practice since the beginning of the Industrial Age.